Gold Signet Rings (Family Rings)

Gold signet rings, also conventionally known as seal rings, are widely regarded as the epitome of royalty fashion. The rings, which typically bear either a coat of arms or some authoritarian insignia, are made through special engraving on either real or gold-plated ring. Although the rings are predominantly made of the precious metal, the seal part is mostly a rare hard stone such agate or carnelian. A stone which is hard enough to resist wear and tear, yet soft enough to engrave quickly.

The trend of sporting gold signet rings harks back to the medieval ages in ancient civilisations in the Middle East, Africa, and Europe. For instance, the Egyptians wore cylindrical and hexagonal rings – sometimes hanging by a special thread from their necks or arms – as a sign of authority. Egyptian women of royalty blood also had several signet rings in different fingers as a mark of beauty and allure. On the other hand, Roman customs also wore signet rings – not for the purpose of decoration but as a mark of authority. For instance, only the top echelons of the civil and military Roman government were allowed to wear bright gold signet rings. Slaves and others in the masses could only wear iron-wrought signet rings. The middle-classes and former freed slaves were entitled to silver signet rings.

Gold Signet ring

An Insignia of Nobility Carried on to the Modern World

Gold signet rings and other types of unique family rings were handed down from generation to generation in the olden times as a mark of identity. Since back then there were no digital signatures, the seal engraved on the signet ring was used as a recognised stamp to officiate a letter/document before being sent. This way, the receiver of the paper would then identify the mark left by the engraved seal as proof of authenticity. It was a classic way of protecting sensitive documents from tampered with during transit by the couriers. For this reason, the gold signet ring became part and parcel of the regalia of most monarchies and empires across medieval Europe and Asia. In other words, it was slowly integrated into the regal jewellery that only the royal family was allowed to possess.

In some of the biggest museums today, the gold signet ring is displayed with the sceptre, crown, and other royal assorted paraphernalia of the monarch. You will also come across such rings in most antique shops and other odd jewellery shops such as collector and garage sale stores.

The significance of the gold signet rings as an emblem of authority has also been carried to the modern civilisation quite remarkably. The Roman Catholic church, for instance, issues the Pope with a special gold signet ring as a mark of his papacy. When he dies, his seal ring is destroyed which symbolises the start of Sede Vacante – which can be loosely translated to ‘the seat is now vacant’ – and the selection of a new pope.

The culture of family signet rings from ancient civilisation also led to the inception of the tradition of University or school rings. In this case, the badge of the college/campus is usually engraved on a gold ring. At times, the year of graduation is added as an additional decoration. Although such rings are no longer used as conventional sealing devices, they indicate one’s membership ( alma mater ) of a reputable institution or fondly kept as a souvenir.

Wearing a Gold Signet Ring

Gold signet rings are now typically worn on the smallest finger. Some families and cultures choose to have the ring on the right finger while others – depending on the tradition passed on to them by those before them – will have them on the left hand. On the other side, others prescribe the wearers of the ring to have it on the ring finger with the seal/insignia facing up or down. But since we are the helm of globalisation, it’s no surprise that almost anyone today can buy a gold signet ring for themselves or their significant one. There are now even exclusive gold seal rings specifically meant to be worn by men or women. Some couples will buy the rings and gift each other as one of the signs of their romance while other people purchase them as a representation of a lifetime friendship.

A company we recommend to buy signet rings is


All you need to know about African wear

Most people love the African clothing and fabrics. The distinctive designs, bright colours and handmade quality in African wear are fantastic and rich in cultural meaning. Weaves, tie dyes, batiks, and industrial prints are the four types of cloth used to make African wear. Genuine African prints worn across the continent of Africa are mainly 100% cotton. Tie-Dye is believed to be one of the earliest forms of African print. Tie-Dye is developed through tying and dying cotton fabrics to give distinctive patterns. The clothing or Fabric is tied in sections to set the dye’s boundary and the result in a beautiful, distinctive design. Some types of African clothing include shirts, dresses and African print skirts.

Different types of Tie-Dye:


Here are some forms of the Tie-Dye common in most African wear.

Kampala: It is a type of African Print Tie-Dye that includes a substantial amount of wax application. The resulting fabric appears to have sheens due to wax applications. Cotton fabrics with patterns, which are mainly referred as brocades, are used when making Kampala designs.

Batik: It is also commonly used among African print clothes and uses wax application that includes fancy designs that are hand painted. The paints are normally applied with cassava paste, a chicken feather and a string of broom.

Indigo: Indigo dyed clothing are referred as Adire by the Yoruba tribe in the southern Nigeria and are among the most Africa wear available to West Africa.

There are several other forms of Tie Dye techniques used among the Africa wear. Africa prints technologies have evolved and now include more complex patterns with different names that are available in the market. Sunflag, Hollandis, Akosombo and Woodin are some of the Africa print brands available in the market. Most of the Africa prints such as Abanda, Ankara, Kitenge and waxed prints produce Tops and Wrappers that are used in most rural areas of Africa.

There many ways of putting on an African Print wear with younger people gravitating toward old school’ style when wearing African Print Wrapper. Most African men who put on African wear adopt the use of Grand Boubou, which consists of a Dashiki, pants, and a Robe. It is normally worn with a matching African print hat, which is made from a different material.

African prints are available for men, women and children. Some families prefer wearing dresses from the same print, and most African print skirts and tops are lined with materials that are 100% cotton. Other African wears are also lined with 100% cotton material. A number of matching print tops and wrappers in most Africa countries, excluding Senegal and a few other Africans countries, are not lined.

African wears are quality, not see through and have a lot of significant among Africans and are gaining popularity among both young and older people. The popularity increase is not surprising especially if you consider the bold and intricate print patterns. Some icons such as in fashion, music and film industries are using the African Print wears and frequently performs while wearing this African wear. Africa prints for women are available in the form of dresses, skirts, tops, wrappers and other sets for women. It is also common in Africa to see women with Africa print head wraps with either African were or western clothing.

African print top

Colours in African wear

Colours in African wear play a significant role as they possess particular meanings. Meaning varies from communities to communities and fabric to fabric. The Akan people is West Africa, for example, uses red, black and brown in funerals and white during joyous occasions such as naming ceremonies. The Kente cloth, which is common among most Ashanti people of Ghana use gold to represent status and serenity, yellow to represent fertility and vitality, green signifies to represents growth as seen in plants and cycle of birth and decay, and blue to represent the presence of God and omnipotence of the blue sky. The Blue is also used to refer to purity among the spirit and those who rest in harmony. Red among this community usually represents the passion and is typically used to show political determination, defense, and struggle. The Ashanti of Ghana also believes that the red color holds protective powers. They also use black to represent seriousness and union with ancestors and is used to convey spiritual awareness.